Rodeo Review Travis Scott
23.01.2019by admin
It goes without saying that the hype for ’s debut album,, has been off the charts. The rapper and producer first burst onto the scene in 2012 when, as a relative unknown, he signed to both Epic Records and T.I.’s Grand Hustle imprint as an artist, and to Kanye West’s G.O.O.D. Music production wing known as Very G.O.O.D. The 23-year-old has since blessed the general public with two well-received mixtapes, Owl Pharoah and Days Before Rodeo, as well as clocking production credits for some of the biggest artists in the world including Drake, Big Sean, Rihanna and of course, Kanye West. Along the way he’s also become known for his energetic stage performances that sometimes involve fights with concert security about letting his fans turn up to their heart’s content. Needless to say, everyone has been waiting to see what a full-length studio offering from the multi-talented Houston native looks like.
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Travis Scott Delivers a Modern Trap Classic taking the basic formulaic genre trap and bringing it into a moody dark sensational album. The Travis Scott Delivers a Modern Trap Classic taking the basic formulaic genre trap and bringing it into a moody dark sensational album. The Album gets off to a fast start a dark trap banger showing the story. Sep 4, 2015 - It goes without saying that the hype for Travi$ Scott's debut album, Rodeo, has been off the charts. The rapper and producer first burst onto the.
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Before even pressing play on the album, Rodeo’s feature and production credits are a testament to Scott’s ability to — in just a few short years — win the approval of some industry heavy-hitters. Clocking in at 14 tracks, Rodeo is an average length for an album but jam-packed with talent; the supporting cast of characters both in the booth and behind the boards reads like a whos-who of the industries biggest and brightest and includes Future, Metro Boomin, Kanye, The Weeknd, Young Thug and even pop’s most polarizing figure, Justin Bieber. The first-track, “Pornography.” sets the mood early, with T.I. Lending his signature Southern drawl (uncredited) to spoken-word intro before the song launches into a trippy, Auto-Tuned journey through drugs, sex and porn as both a literal and figurative device.
It’s evident early on that the production is going to be the star of this album: the second track “Oh My Dis Side” is one of the standouts with it’s eerie sample that sounds like a chopped and screwed music box. Nonton running man lengkap. The beat switches halfway through to become more R&B-infused, providing the perfect canvas for Migos’ Quavo to step in and lace the beat with his trademark bouncy flow. Rounded out by the popular single “3500” and “Wasted” featuring Juicy J, the first section of Rodeo acts as an extension to Days Before Rodeo, with the same highly-stylized sonic vibes, albeit in a more polished form that one would expect from a studio debut. Track number five, “90210,” represents a definite shift in mood, and we find ourselves going down a more despair-filled route than the swagged out drug, sex and “$3500-for-the-coat” party of the first four tracks. A number of well-known producers share credits on this one but most notably DJ Dahi, the man responsible for Drake’s “Worst Behaviour,” and Wondagurl, the 18-year-old whiz kid who is noted for being one of hip-hop’s most prominent female producers and having her career sent into overdrive when she produced “Crown” for Jay Z’s Magna CartaHoly Grail as a high school student living in a Toronto suburb. This track is another standout, with a sample that would surely get the Kanye stamp of approval and a second-half switch up that offers and unexpected soulful turn after the haunting gloom of the first two-and-a-half minutes.
While much has been made of Scott’s ability to recruit famous friends, the next cluster of songs is a testament to how features can either propel a track or fall very flat. While The Weeknd and Scott’s dark, drug-infused styles meet comfortably on “Pray 4 Love,” it might be one of the least interesting songs on the album.
“Piss On Your Grave” fails to live up to great expectations that come with it being one of only two tracks on the album that Scott lends his production skills, as well as boasting a feature by Kanye West himself. While the bluesy-rock influence is cool, the production seems a bit unrefined in comparison to the rest of the album. While this might be one of La Flame’s more enjoyable lyrical offerings, Yeezy’s verse falls flat and feels lazy at best. On the flipside, “Night Call” features Swae Lee of Rae Sremmurd and an almost-unrecognizable Chief Keef, is one of the strongest tracks.
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