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In “The Revenant,” a period drama reaching for tragedy, Leonardo DiCaprio plays the mountain man Hugh Glass, a figure straight out of American myth and history. He enters dressed in a greasy. Jan 7, 2016 - Leonardo DiCaprio as Hugh Glass in 'The Revenant. Few of his friends expected Glass to survive the night, but he did. And left Glass to die, taking his weapons and supplies as they disappeared into the cold wilderness. To take advantage of the window of light, the production built in a great deal of rehearsal time with a full crew and cast (except the principal actors) in place. But insiders say Inarritu often. In the early 1820s, people started going West, and Hugh Glass was one of these people. So, we can safely assume this movie takes place in the early 1820s.
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As Long as You Can Still Grab Breath The very first lines of dialogue in The Revenant are spoken by Leonardo DiCaprio with a Pawnee affection, yet their meaning remains crystal clear. “It’s okay son, I know you want this to be over. I’m right here.
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I will be right here. But you don’t give up. As long as you can still grab a breath, you fight. You breathe keep breathing.” These early words spoken by Hugh Glass to Hawk, his half-Pawnee son, are crucial to understanding the movie.
In the immediacy, it introduces the theme of the story, as well as Glass’ love for a son whose mother was taken away by other white men. But it, more than any desire for revenge, is the true driving force for Glass’ stunning survival instinct.
And it comes just as much into play at the end of the film after Hugh Glass has hunted down John Fitzgerald (Tom Hardy) and cornered him by a slushy creek. The most iconic scene in The Revenant, which is destined to become a classic moment of big screen brutality, is of course when the grizzly bear mauls Hugh Glass half to death in an agonizing steadicam shot that goes on for several minutes (plus an eternity). Yet, the final knockdown, drag out brawl between Glass and Fitzgerald is just as merciless. Bones are smashed, fingers cut off, and hands impaled.
By all accounts, both men appear mortally wounded, albeit Fitzgerald more so. Hence why he can barely protest when Glass sends his broken body down river like it’s a raft borne of flesh and leaking blood. Glass does this because he seems to have taken to heart the advice of his Pawnee savior from the midway point of the film. He is on course to suffer the fate of all tragic revengers if he personally takes Fitzgerald’s life. Plus it’s kind of a vicious boon that Fitzgerald despises Native Americans more than anything else.